How ATOMIC BLONDE director David Leitch and DP Jonathan Sela Pulled Off the Incredible, 10-Minute, ‘One-Take’ Action Sequence

By August 9, 2017Clients, News

“’We shot the scene chronologically all the way through,’ says Ronaldsdóttir, who was on set for the entire sequence to make sure each of the cuts worked, since the goal was to make those transitions as invisible as possible. [Cinematographer Jonathan Sela] elaborates: ‘We had to choose the take we wanted right there, and that’s the one we’d have to match to.‘”

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