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Emmy Nominees: Director, DP, Editor and Production Designer Perspectives

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Helping with this heightening was the cinematography of Colin Watkinson whom Morano described as simply “spectacular.” She and Watkinson looked to bring new life to what can be visually mundane voiceover and flashback sequences. Of course, the beautiful and poetic writing of Atwood imbued the voiceover with a stirring spirit. Morano and Watkinson in turn worked to make the point-of-view story of greater visual interest. ‘We thought,’ shared Morano, ‘if everything we do with the camera is psychologically driven, getting into the mind of the character, then these sequences could be all the more engaging.’

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