THE NIGHT OF
Sundays on HBO

Designed by Lester Cohen
Created by Richard Price and Steven Zaillian

TALLULAH
Now on Netflix

Shot by Paula Huidobro
Directed by Sian Heder

STAR TREK BEYOND
Now In Theaters

Lensed by Stephen Windon, ASC, ACS
2nd Unit Photography by Bruce McCleery
Directed by Justin Lin

ADIDAS - Creating New Speed

Lensed by Simon Duggan, ACS
Directed by Chris Riggert

Congratulations to Jason Hougaard
On his MTV VMA Nomination
For his Outstanding Production Design
In Beyonce’s ''Hold Up''

Directed by Jonas Åkerlund

Congratulations to Alex Delgado
On his MTV VMA Nomination
For his Outstanding Production Design
In Fergie’s ''M.I.L.F $''

Lensed by Rob Witt
Directed by Colin Tilley

GILLETTE - Perfect Isn't Pretty

Lensed by Daniël Bouquet, NSC
Directed by Karim Huu Do

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NEWS

UPCOMING RELEASES

THE LAND<br>Executive Produced by Nicolaas Bertelsen<br>Edited by Saira Haider

THE LAND
Executive Produced by Nicolaas Bertelsen
Edited by Saira Haider

In Theaters August 5th

FIVE NIGHTS IN MAINE<br>Edited by Ron Dulin

FIVE NIGHTS IN MAINE
Edited by Ron Dulin

In Theaters August 5th

LITTLE MEN<br>Co-Produced by Jonathan Montepare

LITTLE MEN
Co-Produced by Jonathan Montepare

In Theaters August 5th

SUICIDE SQUAD<br>Underwater Photography by Peter Zuccarini

SUICIDE SQUAD
Underwater Photography by Peter Zuccarini

In Theaters August 5th

SOUTHSIDE WITH YOU<br>Shot by Pat Scola

SOUTHSIDE WITH YOU
Shot by Pat Scola

In Theaters August 26th

GOAT<br>Edited by Brad Turner

GOAT
Edited by Brad Turner

In Theaters September 23rd

THE GREASY STRANGLER<br>Designed by Jason Kisvarday

THE GREASY STRANGLER
Designed by Jason Kisvarday

In Theaters October 7th

BLEED FOR THIS<br>Shot by Larkin Seiple<br>Designed by Kay Lee

BLEED FOR THIS
Shot by Larkin Seiple
Designed by Kay Lee

In Theaters November 23rd

PRESS

STAR TREK BEYOND Review

By | News | No Comments

“Shot by Lin’s regular Fast & Furious collaborator Stephen F. Windon, the visuals take robust advantage of the big IMAX canvas, and the special effects work is first-rate, even if the trippy, bee-like swarms of Krall’s destroyer pods become somewhat unrelenting as an image of enveloping darkness.” Read more here.