BEACH RATS
In Theaters August 25th

Directed by Eliza Hittman
Grace Yun | Production Designer
   Olga Mill | Costume Designer

MARVEL'S THE DEFENDERS
Now Streaming on Netflix

             Matthew Lloyd, CSC | Director of Photography
James McMillan | 2nd Unit DP

BALLERS
Season 3 Airing Now on HBO

Created by Stephen Levinson
Anthony Hardwick | Director of Photography

DAYVEON
In Theaters September 13th

Directed by Amman Abbasi
Dustin Lane | Director of Photography

ALL SAINTS
In Theaters August 25th

Directed by Steve Gomer
Eduardo Mayen | Director of Photography

BIRTH OF A DRAGON
In Theaters August 25th

Directed by George Nolfi
Joel Viertel | Editor

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NEWS

  • EMMANUEL LUBEZKI, AMC, ASC shoots NIKE with Alejandro Inarritu at Anonymous
  • MAX ORGELL designs CHRYSLER for Neal Brennan at Caviar
  • ROB PEARSON designs UMAMI with Stylewar at Smuggler
  • DYLAN KAHN designs GOOGLE with Ian Pons Jewel at Reset
  • JULIE KIRKWOOD to shoot DESTROYER with Karyn Kusama
  • ADAM SANTELLI to shoot THE HUNT with Steve Carr for Disney
  • TOBY IRWIN shoots PLAYSTATION with Eric Wareheim at Prettybird
  • CHRISTOPHE LANZENBERG shoots MCDONALD’S with Dave Laden at Hungryman
  • PAUL MAIBAUM, KITTY DORIS-BATES, and JIMMY SIMONS start on season 2 of SANTA CLARITA DIET
  • SETH CLARK to edit ARRESTED DEVELOPMENT for Netflix
  • MICHAEL GOI, ASC to direct a 2 episodes of FALLING WATER for USA
  • ZOË WHITE joins COLIN WATKINSON on season 2 of THE HANDMAID’S TALE for Hulu
  • JOAQUIN GREY designs UHC for Phil Morrison at Epoch
  • JASON HOUGAARD designs BMW for Christopher Hewitt at Smuggler
  • GEORGE PARRA to produce on THE BEACH BUM for Harmony Korine
  • MATTHEW J. LLOYD, CSC to shoot THE KID for Vincent D’Onofiro
  • KAT LANDSBERG to produce Z: THE BEGINNING OF EVERYTHING for Amazon
  • JEFF CUTTER shoots AMAZON PRIME with Adam Pertofsky at Elastic and books TOYOTA with Brig White at Tool of NA
  • MICHAEL SNYMAN to shoot BIRD BOX with Susanne Bier for Netflix
  • NATHANIEL WILSON shoots REESE WITHERSPOON at Trailer Park
  • ADAM RICHARDS shoots SAMSUNG and TUDOR with Mark Romanek at Anonymous Content
  • MAX GOLDMAN shoots BLUE CROSS BLUE SHEILD with Simon McQuoid at Imperial Woodpecker
  • PAT SCOLA starts prep on MONSTERS AND MEN with Reinaldo Marcus Green
  • ROB PEARSON designs CADILLAC for Sam Pilling at Pulse Films
  • LARRY FONG shoots MCDONALDS with Brian Billow at O-Positive and books SONOS with Jason Koenig at Anonymous
  • CHRISTIE WITTENBORN designs MERRILL LYNCH for Malcolm Venville at Anonymous Content
  • JC MOLINA designs BUD LIGHT for Benny Trickett at Wiedan + Kennedy and books AVON with Diane Kunst at Joinery
  • IGOR JADUE-LILLO books SISTER SCHUBERT’S with Brendan Gibbons at Capital Media
  • RICHARD HENKELS shoots TD BANK with Mark Gilbert at Untitled and books VITAL with Jun Diaz at O-Positive
  • ALEXANDER DYNAN shoots A.H.C. with Cliff Watts at Looking Glass Films
  • TIM MOEN designs SOUTHWEST AIRLINES for Seth Gordon at Community Films
  • ERIC SCHMIDT shoots VERIZON with Aaron Stoller at Biscuit
  • STEEVEN PETITTEVILLE shoots SMOKELESS TOBACCO PSA with Martin Stirling at Partizan
  • MIA CIOFFI HENRY wraps MITSKI MV with Zia Anger at Pulse Films NY and books BOSE with Gilly Barnes at Joy
  • MENNO MANS, NSC shoots NEST with The Malloys at Superprime
  • CHUCK OZEAS shoots DUNKIN DONUTS with Ira Rosenweig and THE VOICE promo with Matt Jacoby
  • MICHAL DABAL shoots GLAD with Tucker Bliss at Yonder
  • ZAK MULLIGAN shoots TRIUMEQ with Galen Summer at Public Record
  • JOSH MCKIE books WESTAR ENERGY with Kess Broekman-Dattner at Picture Farm
  • LARKIN SEIPLE wraps PLAYSTATION with Matt Swanson at Epoch and shoots BRIGHT HEALTH with Arno Salters at Caviar
  • KEVIN PHILLIPS shoots KUWTK and BEATS with James Lees at Doomsday
  • SAMANTHA HAWKINS to design DETECTIVE CHINATOWN 2 with Sicheng Chen for Wanda Group
  • ROB WITT shoots PINALEN with Sarah Chatfield at Rodeo Show
  • NATHAN WILSON shoots TOYOTA with Dennie Gordon at Wondros
  • COLIN WATKINSON books US BANK with Jaci Judelson at Tool of NA
  • MIHAI MALAIMARE, JR. starts prep on THE HATE U GIVE with George Tillman, Jr. for Temple Hill/State Street Pictures/FOX 2000
  • SIMON DUGGAN, ACS shoots ISN’T IT ROMANTIC with Todd Strauss-Schulson for New Line

UPCOMING RELEASES

BEACH RATS

BEACH RATS

Grace Yun
Production Designer

Olga Mill
Costume Designer

In Theaters August 25th

ALL SAINTS

ALL SAINTS

Eduardo Mayen
Director of Photography

In Theaters Aug 25th

BIRTH OF A DRAGON

BIRTH OF A DRAGON

Joel Viertel
Editor

In Theaters Aug 25th

I DO… UNTIL I DON’T

I DO… UNTIL I DON’T

Wyatt Garfield
Director of Photography

In Theaters Sept 1st

IT

IT

Marty Ewing
Line Producer

In Theaters Sept 8th

DAYVEON

DAYVEON

Dustin Lane
Director of Photography

In Theaters Sept 13th

STAR TREK: DISCOVERY

STAR TREK: DISCOVERY

Scott Gamzon, ACE
Editor

Neville Page
Concept & Creature Designer

On CBS All Access Sept 25th

SUPER DARK TIMES

SUPER DARK TIMES

Kevin Phillips
Director

Eli Born
Director of Photography

In Theaters Sept 29th

PRESS

Emmy Nominees: Director, DP, Editor and Production Designer Perspectives

By | Clients, News | No Comments

Helping with this heightening was the cinematography of Colin Watkinson whom Morano described as simply “spectacular.” She and Watkinson looked to bring new life to what can be visually mundane voiceover and flashback sequences. Of course, the beautiful and poetic writing of Atwood imbued the voiceover with a stirring spirit. Morano and Watkinson in turn worked to make the point-of-view story of greater visual interest. ‘We thought,’ shared Morano, ‘if everything we do with the camera is psychologically driven, getting into the mind of the character, then these sequences could be all the more engaging.’

Read the full article here.

THE HANDMAID’S TALE: 40 Photos That Capture the Show’s Unique Cinematography by Colin Watkinson

By | Clients, News | No Comments

The Handmaid’s Tale — “Offred” Episode 101 — Offred, one the few fertile women known as Handmaids in the oppressive Republic of Gilead, struggles to survive as a reproductive surrogate for a powerful Commander and his resentful wife. Behind the scenes with Colin Watkinson. (Photo by: George Kraychyk/Hulu)

View the full gallery here.

How ATOMIC BLONDE director David Leitch and DP Jonathan Sela Pulled Off the Incredible, 10-Minute, ‘One-Take’ Action Sequence

By | Clients, News | No Comments

“’We shot the scene chronologically all the way through,’ says Ronaldsdóttir, who was on set for the entire sequence to make sure each of the cuts worked, since the goal was to make those transitions as invisible as possible. [Cinematographer Jonathan Sela] elaborates: ‘We had to choose the take we wanted right there, and that’s the one we’d have to match to.‘”

Read the full article here.