COLIN WATKINSON, ASC
Nominated at 33rd Annual ASC Awards

THE HANDMAID'S TALE | "The Word”
(Episode of a Series for Non-Commercial Television)

ZOË WHITE, ACS
Nominated at 33rd Annual ASC Awards

THE HANDMAID'S TALE | "Holly”
(Episode of a Series for Non-Commercial Television)

NATHANIEL GOODMAN, ASC
Nominated at 33rd Annual ASC Awards

TIMELESS | "The King of the Delta Blues”"
(Episode of a Series for Commercial Television)

STEVE BEERS
Nominated at 2019 Producer's Guild Awards

THIS IS US | Season 3

RICHARD TOYON
Nominated at 2019 Annual ADG Awards

SILICON VALLEY | "Tech Evangelist" & "Artificial Emotional Intelligence"
(Half-Hour Single-Camera Series)

THE PUNISHER | S2
On Netflix Jan 18th

Created by Steve Lightfoot
Tirsa Hackshaw, ACE | Editor

DESTROYER
Now in Theaters

Directed by Karyn Kusama
Julie Kirkwood | Director of Photography
Kay Lee | Production Designer

THE PRODIGY

Directed by Nicholas McCarthy
Bridger Nielson | Director of Photography

WAYNE
On YouTube Jan 16th

Dan Hank | Producer [Pilot]
Omar Hassan-Reep | Editor [Series]
Megan Oppenheimer | Costume Designer [Pilot]


Dan Hank Omar Hassan-Reep Megan Oppenheimer

BIRDBOX
Now on Netflix

Directed by Susanne Bier
Roberto De Angelis | Camera Operator

CORPORATE | S2
on Comedy Central Jan 15th

Directed by Pat Bishop
Christophe Lanzenberg | Director of Photography

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UPCOMING RELEASES

ROSWELL, NEW MEXICO

ROSWELL, NEW MEXICO

Ken Topolsky
Producer [Series]

Bill Eigenbrodt
Production Designer [Pilot]

Premieres Jan 15th

CORPORATE

CORPORATE

Christophe Lanzenberg
Director of Photography

on Comedy Central Jan 15th

WAYNE

WAYNE

Daniel Hank
Producer [Pilot]

Omar Hassan-Reep
Editor [Series]

Megan Oppenheimer
Costume Designer [Pilot]

On YouTube Jan 16th

THE PUNISHER | S2

THE PUNISHER | S2

Tirsa Hackshaw, ACE
Editor

on Netflix Jan 18th

GLASS

GLASS

Ian Takahashi
Underwater Director of Photography

In Theaters Jan 18th

SERENITY

SERENITY

Carsten Lorenz
Producer

In Theaters Jan 25th

WHITE DRAGON

WHITE DRAGON

Vanessa Whyte
2nd Unit Director of Photography

On Amazon Prime Feb 8th

ISN’T IT ROMANTIC

ISN’T IT ROMANTIC

Simon Duggan
Director of Photography

Marty Ewing
Line Producer

In Theaters Feb 14th

PRESS

NBP: Interview with BLACK PANTHER editor Michael P. Shawver

By | Awards, Clients, News | No Comments

Michael P. Shawver has had a long collaboration with writer/director Ryan Coogler going all the way back to their years in film school together. Michael has served as an editor on all of Ryan’s films so far including FRUITVALE STATION, CREED and now their biggest film to date, BLACK PANTHER. What is their collaboration process like and how has it evolved over the years? How was the experience of working on a large Marvel property any different than what the two had done before? And what’s it like being a part of a huge critical, financial success and now, awards hopeful? We discuss all of this and more here on the Next Best Picture Podcast.”

Find out here.

IndieWire: SPRINGSTEEN ON BROADWAY ‘One of the Best Things Netflix Has Ever Done’

By | Clients, News | No Comments

“For viewers who couldn’t see the real thing — and most especially for New Yorkers, some of whom work just a few blocks away from the Walter Kerr, but have never been able to go inside its walls — the access is so exciting that the 14-month wait for it seems like a small price to pay. Call it a film, call it a special, call it whatever you want; on Netflix, SPRINGSTEEN ON BROADWAY [lensed by JOE DESALVO] is nothing short of a public service.”

Read the full article here.

THE HATE U GIVE: Mihai Mălaimare Jr. Employs Lenses, Color, Format And Camera Movement To Visually Differentiate The Protagonist’s Two Conflicting Worlds.

By | Clients, News | No Comments

“Central to the theme is Starr’s struggle and eventual resolution of these opposing versions of herself, and one of the first conversations director George Tillman Jr. had with  was about how to visually differentiate between Starr’s two worlds. Their options were plentiful — lenses, color, format, camera movement — and after extensive conversations, [cinematographer MIHAI MALAIMARE JR.] felt it would be best to utilize multiple tools. “Immediately, I thought if you only choose one [method of differentiation, you will inevitably] overdo it. But if you use all the elements, you can be subtle with some of them,” he says. “

Read the full interview here.

Independent Spirit Awards: Zak Mulligan Nominated for Best Cinematography for WE THE ANIMALS; HEREDITARY and WE THE ANIMALS Nominated for Best First Feature; FIRST REFORMED Nominated for Best Picture

By | Awards, Clients | No Comments

CLIENT NOMINATIONS:

PROJECT NOMINATIONS:

Read the full list of nominations here.