WE THE ANIMALS
In Theaters Aug 17th

Directed by Jeremiah Zagar
Zak Mulligan | Director of Photography

THE INNOCENTS
On Netflix Aug. 24th

Created by Simon Duric & Hania Elkington
David Procter | Director of Photography

THE MISEDUCATION OF CAMERON POST
In Theaters Aug 3rd

Directed by Desiree Akhavan
Jonathan Montepare | Producer
Sara Shaw | Editor

NIGHT COMES ON
In Theaters Aug 3rd

Jonathan Montepare | Producer
Alvaro R. Valente | Producer
Taylor Levy | Editor


Jonathan Montepare Alvaro R. Valente Taylor Levy

ALESSIA CARA | Growing Pains

Directed by Alan Masferrer
Pau Castejon | Director of Photography

ADIDAS | Create The Answer

Directed by Giorgio Bruni
Fran Thompson | Producer
Charlotte Woodhead | Producer

SPECIAL OLYMPICS | Dare To Sponsor

Directed by Norman Bates
Björn Charpentier, SBC | Director of Photography

JUST BANCO | Ashleigh

Directed by Matt Healy
Callan Green, ACS | Director of Photography

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UPCOMING RELEASES

THE MISEDUCATION OF CAMERON POST

THE MISEDUCATION OF CAMERON POST

Jonathan Montepare
Producer

Sara Shaw
Editor

In Theaters Aug 3rd

WE THE ANIMALS

WE THE ANIMALS

Zak Mulligan
Director of Photography

In Theaters Aug 17th

THE INNOCENTS

THE INNOCENTS

David Procter
Director of Photography

on Netflix Aug 24th

KIN

KIN

Larkin Seiple
Director of Photography

In Theaters Aug 31st

KIDDING

KIDDING

Maxwell Orgell
Production Designer

On Showtime Sept 9th

THE PREDATOR

THE PREDATOR

Larry Fong, ASC
Director of Photography

Michael Diner
Supervising Art Director

In Theaters Sept 14th

MONSTERS AND MEN

MONSTERS AND MEN

Pat Scola
Director of Photography

In Theaters Oct. 5th

THE HATE U GIVE

THE HATE U GIVE

Mihai Malaimare Jr.
Director of Photography

In Theaters Oct 19th

PRESS

FIRST REFORMED Tops Best Indies of 2018 List

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1. “First Reformed” – lensed by ALEXANDER DYNANdesigned by GRACE YUN, with costumes by OLGA MILL

Paul Schrader’s best movie in years stars Ethan Hawke (in one of his finest roles) as an upstate New York priest who faces a crisis of faith as he attempts to help out a pregnant woman and learns of an ecological conspiracy behind his church’s main benefactor. The movie’s taut, suspenseful narrative remains in the confines of its protagonist’s perspective as his grip on reality slowly comes unraveled, leading to a shocking finale that forces its audience to grapple with its potent themes from the inside out. It’s filmmaking of the highest order from an American master finally receiving the appreciation he deserves. —EK (Review)

2. “Hereditary” – designed by GRACE YUN, with costumes by OLGA MILL

Ari Aster’s first feature is more than just a terrifying movie — though it certainly hits its mark in that regard — because it uses the genre to craft a mesmerizing portrait of the grieving process. Toni Collette delivers some of her best work as a woman reeling from multiple deaths in her family and struggling to address the resentment she feels toward her teenage son (Alex Wolff, also first-rate). Collette’s character produces a number of miniatures that provide a chilling signifier for the encroaching paranoia and doom that dominates each scene, but the most astonishing thing about “Hereditary” is the way it portrays this broken family in such credible terms even as the story careens into outrageous supernatural territory. The final minutes are some of the most riveting you’ll see all year. —EK (Review)

See the full list and read the write-ups here.

5 minutes with David Procter

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[Cinematographer DAVID PROCTER on his toughest shoot location] “I recently shot a car commercial in Autonomous Tibet. We travelled from Shanghai; a 4hr flight before 14hrs by road, much of which on dirt tracks to an altitude of 16,000ft. The thin air was brutal and some of the crew were rushed to hospital with altitude sickness. We shot a sunrise sequence, at -10ºC, involving a visceral handheld camera. The physicality coupled with low air-pressure meant I had to take oxygen between each take. It was worth it though for the beauty of the location.”

Read the full interview here.

INDIEWIRE: The Best TV Episodes of 2018 (So Far)

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“Debates were waged over what episode from the stellar second season of “Dear White People” would make this collection, especially given that “Chapter VIII,” the episode that precedes this one, was a stellar showcase of the show’s talents on a micro level. However, it’s the penultimate episode of the year, in which Sam White (Logan Browning) deals with a family tragedy with the help of her friends Joelle (Ashley Blaine Featherson) and Coco (Antoinette Robertson), where the show reaches an emotional crescendo. If you didn’t ugly-cry at least once during this episode, then the whereabouts of your heart may be unknown. It’s a stunning achievement, brilliantly written by Nastaran Dibai & Yvette Lee Bowser and directed by Janicza Bravo [with OMAR HASSAN-REEP as Editor], and one that will stay with us for quite some time.”

Colin Watkinson On Creating Aesthetic Of Dystopian Hulu Drama – Production Value Video Series

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“Helping to establish an aesthetically singular world with Season 1 of Hulu’s dystopian drama The Handmaid’s Tale, cinematographer COLIN WATKINSON received his first Emmy for his efforts, and returned to expand the series’ visual boundaries in Season 2. Watkinson recently sat down at Hulu’s offices for Deadline’s Production Value video series to discuss his craft, and the thinking that went into defining the look of Bruce Miller’s drama based on Margaret Atwood’s novel.”

 

Watch the interview and see the full writeup here.

THE HANDMAID’S TALE DP Colin Watkinson On Creating Aesthetic Of Dystopian Hulu Drama

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“Helping to establish an aesthetically singular world with Season 1 of Hulu’s dystopian drama THE HANDMAID’S TALE, cinematographer COLIN WATKINSON received his first Emmy for his efforts, and returned to expand the series’ visual boundaries in Season 2. Watkinson recently sat down at Hulu’s offices for Deadline’s Production Value video series to discuss his craft, and the thinking that went into defining the look of Bruce Miller’s drama based on Margaret Atwood’s novel.”

Read the full article here