“Rising Star cinematographer Joshua Zucker-Pluda @hamletpowpowpow shares that the best advice is to stay curious — about art, and about the collaborators you work with.”   Watch the video here.

“Hallström’s tender touch and assured knack for leading with character-driven narrative action give the proceedings a grounded sense of naturalism. He and his ensemble finesse the more inevitable aspects so ... [Read More]

“With the seaborne scenes and shark attack robot shot on a purpose-built water tank in Brisbane, there’s a heightened artificiality to proceedings that only helps to bolster Beast of War’s ... [Read More]

““Freakier Friday” takes place in the same sun-kissed version of L.A. as the 2003 “Freaky Friday,” where a girl can ride her bike to the ocean for a quick pre-school ... [Read More]

“Romvari often eschews traditional point-of-view shots, and cinematographer Maya Bankovic complements that decision by favoring a long-lens shooting style with occasional zooms.” Read the article here.

“Cinematographer Mark Wareham (whose work includes Boy Swallows Universe, The Survivors and Cleverman) conjures an exciting visual flavour: a beautifully damp look with swirling milky colour schemes and stylishly askew ... [Read More]

“An artist of both breadth and depth, Zucker-Pluda pulls from a deep well of diverse creative experiences, particularly those of his early years. “My approach to cinematography is rooted in ... [Read More]

“Self-discovery is the end goal of Dora’s latest quest in the new live-action film, “Dora and the Search for Sol Dorado,” which debuted July 2 on Paramount+ [shot by Federico ... [Read More]

“Shaheed Qaasim edited Episode 3, “Whack-A-Mole”, which begins a bit differently from other episodes. While usually Charlie (Natasha Lyonne) isn’t shown in the first act of the episode, this one ... [Read More]

“Today on Art of the Cut, we’re speaking with the editorial team of Sirens. With us are Editors Catherine Haight, ACE, Laura Zempel, ACE, and Isaac Hagy, ACE…Cate has been ... [Read More]