Is there an approach to your editing that allows you to edit that fast? Is it the way you watch dailies or the way that you cut things in dailies that allows you to work that fast?

[Jay Prychidny, CCE]: I think a big part of it is that I watch dailies as I cut, as opposed to a lot of people watch everything ahead of time. I do watch every take ‘cause that’s important to Tim too. In Tim’s mind he has no feeling that the later takes are necessarily what he wants to get.

He definitely is thinking more in pieces. He just has the feeling, “I think I have all the pieces somewhere.” As opposed to getting one perfect take at the end. So I watch every take as I cut. I just watch a bit of every setup at the beginning and then select from there.

I just start editing. So I watch a bit of the footage and I cut it and then I watch some more of the footage and cut, so by the time I’ve cut the whole scene, I will have seen everything. But when I start cutting, I haven’t seen anything.

You’re working chronologically through the scene. Yeah, that’s an interesting way to work. And, and as you, you said kind of like you have a tendency to, to fall asleep. That’s one of those problems with watching all the dailies that if you sit down to watch the dailies for a scene, you’re watching dailies for four hours or something.