“[Veronica Bouza] describes cinematography as a career that is defined by one’s ability to adapt, particularly given the ever-evolving changes of camera and lighting technology. She says she hopes to ... [Read More]

“The filmmaking craft is a considerable step up here from Smile, with returning DP Charlie Sarroff making clever use of disorienting angles and mirror shots, and again flipping the frame ... [Read More]

“Tarsem had his focus puller Colin Watkinson step into the role for his first feature cinematographer credit….For the cast and crew of “The Fall,” the film has left a permanent ... [Read More]

“[Michael Goi, ASC], a three-time past president of the ASC, has compiled over 75 narrative credits, earning Emmy nominations for his work on “American Horror Story,” “Glee” and “My Name ... [Read More]

“Shot by Bill Kirstein, who shot Sora’s Ryuichi Sakamoto | Opus, a documentary that serves as a swan song for the brilliant composer – who also happens to be the ... [Read More]

“Instead, Greenbaum embraced a no-sketches mantra, encouraging his subjects, so deft at deflecting with comedy, to reveal a bit more of themselves. “It’s gonna be weird, and it’s going to ... [Read More]

“The idea for the documentary [shot by Zoë White, ACS] grew out of Ferrell’s desire to accompany Steele on her first trip across the country after transitioning. She still loves ... [Read More]

“The Griselda editing team of Joaquin Elizondo and Chris Cavanagh didn’t have an easy time finding work when they first made their way to Hollywood. But through a mentor/mentee relationship ... [Read More]

“Joaquin Elizondo has over 20 years of professional experience as an editor and currently works in the world of scripted television shows. His most recent editing credits include GRISELDA (Netflix), ... [Read More]

“In the U.S., the series debut of the HBO Original averaged 5.3 million cross platform U.S. viewers over its weekend debut. The Matt Reeves series [with cinematography from Zoë White, ... [Read More]