“As the Director of Photography for Wicked, Alice Brooks ASC shaped the film’s visual identity, bringing Director Jon M. Chu’s vision to life with a vibrant and immersive cinematic experience. ... [Read More]

“The spots [shot by Alice Brooks, ASC] depict Erivo as an everyday Target shopper who experiences hints of magic during her experience and begins singing her character’s iconic tune from ... [Read More]

“[Veronica Bouza] describes cinematography as a career that is defined by one’s ability to adapt, particularly given the ever-evolving changes of camera and lighting technology. She says she hopes to ... [Read More]

“The filmmaking craft is a considerable step up here from Smile, with returning DP Charlie Sarroff making clever use of disorienting angles and mirror shots, and again flipping the frame ... [Read More]

““Wicked” (Universal), Jon M. Chu’s adaptation of the Broadway musical fantasy by Stephen Schwartz and Winnie Holzman, explores the teen friendship between the Wicked Witch and Glinda the Good Witch ... [Read More]

“Tarsem had his focus puller Colin Watkinson step into the role for his first feature cinematographer credit….For the cast and crew of “The Fall,” the film has left a permanent ... [Read More]

“[Michael Goi, ASC], a three-time past president of the ASC, has compiled over 75 narrative credits, earning Emmy nominations for his work on “American Horror Story,” “Glee” and “My Name ... [Read More]

“Shot by Bill Kirstein, who shot Sora’s Ryuichi Sakamoto | Opus, a documentary that serves as a swan song for the brilliant composer – who also happens to be the ... [Read More]

“Instead, Greenbaum embraced a no-sketches mantra, encouraging his subjects, so deft at deflecting with comedy, to reveal a bit more of themselves. “It’s gonna be weird, and it’s going to ... [Read More]

“The idea for the documentary [shot by Zoë White, ACS] grew out of Ferrell’s desire to accompany Steele on her first trip across the country after transitioning. She still loves ... [Read More]