“In this episode, we welcome Charlie Sarroff. Charlie is the cinematographer of the recent horror hit, Smile 2, as well as Night Swim, Relic, and the original Smile. In our ... [Read More]

“McBaine and Moss wanted more women on the crew, prompting the addition of Local 600 directors of photography Laura Hudock and Laela Kilbourn [ICG Magazine December 2017], both of whom ... [Read More]

“As the Director of Photography for Wicked, Alice Brooks ASC shaped the film’s visual identity, bringing Director Jon M. Chu’s vision to life with a vibrant and immersive cinematic experience. ... [Read More]

“The spots [shot by Alice Brooks, ASC] depict Erivo as an everyday Target shopper who experiences hints of magic during her experience and begins singing her character’s iconic tune from ... [Read More]

“[Veronica Bouza] describes cinematography as a career that is defined by one’s ability to adapt, particularly given the ever-evolving changes of camera and lighting technology. She says she hopes to ... [Read More]

“The filmmaking craft is a considerable step up here from Smile, with returning DP Charlie Sarroff making clever use of disorienting angles and mirror shots, and again flipping the frame ... [Read More]

““Wicked” (Universal), Jon M. Chu’s adaptation of the Broadway musical fantasy by Stephen Schwartz and Winnie Holzman, explores the teen friendship between the Wicked Witch and Glinda the Good Witch ... [Read More]

“Tarsem had his focus puller Colin Watkinson step into the role for his first feature cinematographer credit….For the cast and crew of “The Fall,” the film has left a permanent ... [Read More]

“[Michael Goi, ASC], a three-time past president of the ASC, has compiled over 75 narrative credits, earning Emmy nominations for his work on “American Horror Story,” “Glee” and “My Name ... [Read More]

“Shot by Bill Kirstein, who shot Sora’s Ryuichi Sakamoto | Opus, a documentary that serves as a swan song for the brilliant composer – who also happens to be the ... [Read More]