Is there an approach to your editing that allows you to edit that fast? Is it the way you watch dailies or the way that you cut things in dailies ... [Read More]

“Working on the first episode, where the tone of the entire series was being set, provided perhaps the biggest editing challenge for Elizondo. “We were really switching around a lot ... [Read More]

“Today on Art of the Cut we are discussing Tim Burton’s Beetlejuice Beetlejuice with editor Jay Prychidny, CCE. This is Jay’s fourth time on Art of the Cut. He previously ... [Read More]

“The film looks spectacular even if made for a fraction of what Hollywood studios used to regularly pour into these big epic stories and now spends it on TV series ... [Read More]

“This film launched LinkedIn’s new tagline and creative platform, “Find Your In,” by celebrating how LinkedIn unlocks possibilities and enables everyone to be whatever they can imagine [with cinematography by ... [Read More]

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“”Cinematographer Bill Kirstein (who, as well as Opus, also shot Jessica Dunn Rovinelli’s gorgeous So Pretty) sculpts symphonies out of crisp, deep-staged images. The visuals seem pristine because of their inner geometry, ... [Read More]

“As a whole, Say Nothing is an unsettling revisitation of The Troubles, but it doesn’t glamourize warfare. Set mainly from Price’s point of view, the series offers a piercing look ... [Read More]

“Say Nothing is a historical limited series based on the 2018 nonfiction book of the same name by journalist Patrick Radden Keefe [shot by Kanamé Onoyma, AFC]. Conflict between Irish ... [Read More]

“Because we see things mostly from Price’s point of view, the series functions in part as an explainer about why a young person would get involved in the armed struggle. ... [Read More]