“The cinematography (by Maya Bankovic) leaves powerful afterthoughts of dramatic ideas while delivering feelings in real time. Many shots appear to be filmed with telephoto lenses, suggesting, via the camera’s distance from the action, Sasha’s distance from her own past and her struggle to remember. Other times, the camera pans slowly, its drifting movements evoking the associative efforts to make sense of long-ago events. Objects interposed between subjects and the camera hint at the quest for clarity through the intervening years.”

Read the article here.