“While Linklater never tries to gloss over the static nature of the setting or the theatricality of material that could easily be a play, he’s a director who has few equals when it comes to keeping a talk-based movie buoyant, a skill that the Before trilogy honed to perfection.

That pertains not just to the dexterity of regular cinematographer Shane F. Kelly’s camerawork, which weaves around the joint playing with spatial dynamics and maintaining visual interest.”

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