“Our camera package was guided by Season 1, but that was not the only reason for continuity with the Millennium DXL2,” [cinematographer Jas Shelton] explains. “We wanted to shoot with a large sensor and shallow depth of field. The Light Iron color science in the DXL2 maximizes these attributes to create beautiful images.”

He continues, “I’ve worked with the DXL many times before [including on the feature Like a Boss and the series Soundtrack] and I keep coming back to it. Each digital cine camera can be treated like film stock in that you select the sensor that will give you the right look for the particular project at hand, but I really like the color science of the DXL. It’s not just what you can capture off the sensor, it’s what the Light Iron color science is able to do with the image that is impressive.”

Read the full interview here.