“For this base-level grade of “EEAAO,” Bickel and [cinematographer Larkin Seiple] dialed into the color palette of Fujifilm film stocks. Bickel explains, “I think of Ektachrome [a 1950s Kodak stock that’s recently been brought back] as being really brassy, Agfa [a German film stock] as being mustard, and Fuji is kind of this in-between warmth. It has more yellow and less red than the Kodak worlds.”

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