“The beautifully shot film was shot by DP Larkin Seiple and graded by MPC’s Ricky Gausis [and edited by Luke Lynch], enhancing the final piece and looking at each sequence independently. “As the video moves through the different set ups, Hiro, Larkin and I were given the opportunity to give each one its own identity, in some respects,” Ricky commented. Referring to the diner scene, he added, “The warm and sweaty diner plays well against the street-fighting sequence where we were liking the more cyan/green tones. This in turn offset really nicely against the warm apartment which was more intimate and inviting when compared to the gritty warmth we see earlier in the diner.”

Read the article and see the film here.