“For viewers who couldn’t see the real thing — and most especially for New Yorkers, some of whom work just a few blocks away from the Walter Kerr, but have never been able to go inside its walls — the access is so exciting that the 14-month wait for it seems like a small price to pay. Call it a film, call it a special, call it whatever you want; on Netflix, SPRINGSTEEN ON BROADWAY [lensed by JOE DESALVO] is nothing short of a public service.”

Read the full article here.