“More often, though, the camera’s positioning, movement and focus are inobtrusive. And that’s by design. The point, cinematographer Shane Hurlbut said, is to have the camera work and lighting amplify the ... [Read More]

“At the cavernous soundstage, a staircase had been set up to look like a walk to…where? “We are using the same black and white film that Scorsese used to shoot Raging ... [Read More]

“For this base-level grade of “EEAAO,” Bickel and [cinematographer Larkin Seiple] dialed into the color palette of Fujifilm film stocks. Bickel explains, “I think of Ektachrome [a 1950s Kodak stock ... [Read More]

“A lot of people think design is picking out a cute chair or painting a wall,” says Monique Dias, production designer for NBC’s Grand Crew. “But it’s about taking who a ... [Read More]

“Series creator Taylor Sheridan’s take on the American prison system is back with a vengeance. Mayor of Kingstown maintains the same level of dark and unpredictable brutality that defined the series during ... [Read More]

Excellence in Sci-Fi / Fantasy Television “What We Do in the Shadows: The Wedding” – Laura Montgomery Read the full list here.

Costume Design in TV – Sci-Fi/Fantasy, Sponsored by IATSE 873 What We Do In The Shadows 406, The Wedding Costume Designer: Laura Montgomery Costume Design in TV East – Contemporary, ... [Read More]

HALF HOUR SINGLE-CAMERA SERIES “Hacks: Trust the Process” (Production Designer: Alec Contestabile) “What We Do in the Shadows: The Grand Opening, The Night Market, Pine Barrens” (Production Designer: Shayne Fox) ... [Read More]

In this week’s episode, Matt & Oren chat with Louiza Vick about what it’s like being a Hollywood Agent! Listen/subscribe to the podcast here.

EPISODE OF A HALF-HOUR SERIES (Category sponsored by Picture Shop) Stephen Murphy BSC, ISC for Atlanta — “New Jazz” (FX)   EPISODE OF A ONE-HOUR COMMERCIAL TELEVISION SERIES (Category sponsored by William ... [Read More]