Rodrigo Garcia is a master of empathy, whose confident direction guides two exceptionally nuanced performances by Close and Kunis in this tense story of hope and codependency (with some help ... [Read More]

“[Cinematographer Matthew J. Lloyd, CSC, ASC] captured The Water Man in ProRes at 2K with ALEXA Minis, “except for the VFX sequences,” he notes, “which were shot RAW. You would think ... [Read More]

“It is directed with a firm hand and compassion by Rodrigo Garcia [with cinematography by Igor Jadue-Lillo, production design by Brandon Mendez, and edited by Lauren Connelly] who previously helmed Close ... [Read More]

“And, though Abraham’s third work for NYCB (following 2018’s The Runaway and last June’s Ces noms que nous portons) and cinematographer Ryan Marie Helfant’s second (after the 2018/19 campaign film ... [Read More]

“Their post confirms the cinematographer will be Stephen F. Windon, the director of photography for The Fast & The Furious films going back to Tokyo Drift. Stephen also worked on ... [Read More]

“Written by Christina M. Kim and inspired by the original series created by Ed Spielman [with production design by Margot Ready, editing Mike Banas, ACE, CCE & Tirsa Hackshaw, ACE, ... [Read More]

“Nominees for the Camera Operator of the Year Film & Television categories will be awarded live during the virtual show. Bringing together the community to honor and celebrate the industry’s ... [Read More]

“Australia has produced some wonderful Cinematographers and Ben Nott is among the best. Having traveled all around the globe to work on feature films for some of the best Directors ... [Read More]

“Made For Love’s inspired production design [by Jordan Ferrer] carves out two distinct settings which Hazel navigates with more than a little difficulty. The Hub is a sterile, character-less (and ... [Read More]

“While it’s a steep mountain to climb, [cinematographer Mia Cioffi Henry] would have it no other way. Splitting her time between NYC and Italy, she has a unique body of ... [Read More]