“The sequel, also directed by Andy Muschietti [and retaining Marty Ewing as executive producer] follows the Loser Club as adults as they grapple with a re-haunting by that evil mascara ... [Read More]

“…the stunning first episode [edited by Sarah C. Reeves] bears traces of the same kind of mythical, surrealist overtures seen in Atlanta.” Read the full review here.

“The look of the show is always aimed to be authentic, so if anything feels off or produced, it just doesn’t have a place,” Hisham Abed tells Gold Derby in his exclusive ... [Read More]

“Style over sub­stance was the cus­tom in New Queer Cin­e­ma, and Doom Gen­er­a­tion art direc­tor Michael Krantz helped to con­ceive it.” Read the full interview here.

“…fellow Emmy nominees Bob Eisenhardt and [FREE SOLO Director of Photography Clair Popkin] joined Honnold and Vasarhelyi onstage at the packed Neuhouse screening in Hollywood on August 12.” Read the ... [Read More]

“Director Michael Goi is a gifted cinematographer, and I appreciate how he toys with audience perceptions by relying on the deep focus technique” Read the full review here.

“Lodge 49 never loses sight of what makes its so special in the first place. That’s especially tricky given that it’s actually quite difficult to define what that is exactly. ... [Read More]

“To date it was possibly the most creative that I’ve been able to be with Linklater,” [production designer Bruce Curtis] said via phone from Austin, Texas. “Every designer, you wait ... [Read More]

“Upon seeing the designs for the set — a collaboration between Torres’s mother, Tita, and sister Marta — [production designer Michael Krantz] said it looked like “a set designed by ... [Read More]

“Primetime Emmy and ACE (American Cinema Editors) nominee, CATE HAIGHT, ACE, film and television editor, has been involved with some of the industry’s most memorable pieces of art. From Amazon ... [Read More]