“Instead, Greenbaum embraced a no-sketches mantra, encouraging his subjects, so deft at deflecting with comedy, to reveal a bit more of themselves. “It’s gonna be weird, and it’s going to ... [Read More]
Press

‘Saturday Night’ Director Jason Reitman and Cinematographer Eric Steelberg Looked to Altman and ‘Die Hard’ for Inspiration
“Director Jason Reitman and cinematographer Eric Steelberg have made nine features together since partnering on “Juno” in 2007, but their roots go back even further. They met as teenagers and ... [Read More]

In Will & Harper, Two Friends Talk
“The idea for the documentary [shot by Zoë White, ACS] grew out of Ferrell’s desire to accompany Steele on her first trip across the country after transitioning. She still loves ... [Read More]

How Do You Keep a Film Moving When Your Protagonist Can’t?
“As an editor it’s our job to keep things moving, to give the audience the necessary information for emotional impact but to also make sure that no one gets too ... [Read More]

How ‘Beetlejuice Beetlejuice’ Edited Practical FX With Grandiosity
“As a horror-comedy that’s loaded with practical effects, Beetlejuice Beetlejuice seemingly would be a tricky movie to edit. Toeing the tonal line while also maintaining the grandiosity of Tim Burton’s ... [Read More]

The Rough Cut: Cutting the Cocaine Godmother for Netflix’s “Griselda”
“The Griselda editing team of Joaquin Elizondo and Chris Cavanagh didn’t have an easy time finding work when they first made their way to Hollywood. But through a mentor/mentee relationship ... [Read More]

Griselda with Joaquin Elizondo
“Joaquin Elizondo has over 20 years of professional experience as an editor and currently works in the world of scripted television shows. His most recent editing credits include GRISELDA (Netflix), ... [Read More]

‘The Penguin’: Max Says It Landed Biggest 4-Day Audience For A New Series In Every Region Globally
“In the U.S., the series debut of the HBO Original averaged 5.3 million cross platform U.S. viewers over its weekend debut. The Matt Reeves series [with cinematography from Zoë White, ... [Read More]

The Penguin review – Colin Farrell deserves all the awards for this powerful Batman spinoff
“The Penguin lets nothing get in the way of its story, though. The plotting is fast and neat, with Cobb only ever a hair’s breadth away from triumph or disaster ... [Read More]

Hot Time in the ATL: FIGHT NIGHT
“The series is directed by 2005 Sundance Audience Award winner Craig Brewer (Hustle & Flow, Dolemite Is My Name, Coming 2 America), Carl Seaton (Godfather of Harlem), and Tanya Hamilton ... [Read More]