“The filmmaking craft is a considerable step up here from Smile, with returning DP Charlie Sarroff making clever use of disorienting angles and mirror shots, and again flipping the frame upside-down as Skye begins unraveling. There’s a hint of De Palma in the moody lighting and creepy accelerated zoom-ins when she starts seeing menacing visions of both strangers and people she knows, their faces transformed by the Joker grin.”

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