“The whole point of production design is to create an environment so that the audience can look at something and know everything about its inhabitants without anyone saying one word,” veteran production designer Stephen Geaghan— who went to work on the 85-foot-long, 14-foot-wide train on the Vancouver set last summer—tells Architectural Digest. “I hope we get that ‘ahh’ moment on Big Alice, and people know that it’s a frightening place.”

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