“The tunnel scenes, sure to be enveloping on a big screen, are the only ones that weren’t shot in New York City: The filmmakers used an upstate tunnel, in Rochester, for the underground setting, with graffiti artist Chris Pape, aka Freedom, re-creating some of his work from a storied Manhattan tunnel. The cinematography by Lowell A. Meyer is attuned to the mood and detail of Nora Mendis’ production design and to the child’s-eye-view allure of this vivid, smudged world.”

Read the full review here.