“At the cavernous soundstage, a staircase had been set up to look like a walk to…where? “We are using the same black and white film that Scorsese used to shoot Raging Bull,” Field explained, as he waited for the lighting crew to cast perfect shadows. “I wanted Danielle to have those same darks and lights, that same intensity (in collaboration with cinematographer Pär Ekberg, FSF).”

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