“Today on Art of the Cut, we speak with Hilda Rasula, ACE, about editing American Fiction, which won the AFI’s Movie of the Year Award and was nominated for a ... [Read More]

““Griselda” is a revenge story. Yes, it’s an account of real-life drug queenpin Griselda Blanco’s (an engrossing Sofía Vergara) rise to The Godmother of the Medellín Cartel… …Fast-paced and well-acted, the ... [Read More]

“The ongoing advancements in LED lighting technology is where I [Shane Hurlbut, ASC] see some of the most exciting cinematography trends happening in 2024. Whether it be new Fresnel-style fixtures ... [Read More]

[Jillian Chilingerian]: “… So I really want to talk about your work a lot with the color palettes. When we think of ghost stories, we think a very almost devoid ... [Read More]

“The premise may appear ludicrous on the surface, but Haigh’s filmmaking, somehow loose and fleet but also unerringly precise, grounds even the most farfetched conceit in an unswerving emotional logic. ... [Read More]

“Filmed in Boston and featuring an exceptionally handsome beach home in Scituate, “American Fiction” looks terrific and moves with easeful confidence, striking its tricky tonal balance with the help of ... [Read More]

“The aspect ratio of a film for me is as important as the choice of lenses or your color palette,” [Jamie D. Ramsay, SASC] said of the bold choice for ... [Read More]

“[Hilda Rasula, ACE]: Straight out of the gate, I read it and it was brilliant, and I knew I had to do it. But, I remember at the end of our ... [Read More]

“Visually translating Isabel’s book is a tricky task. Shooting on film helps. The consistency offered by 16mm means that DuVernay doesn’t rely on tawdry means, such as adding an ugly ... [Read More]

“There is a place in the world so full of art and culture that it’s better to escape of it. [Shot by Pablo Clemente, AEC] There, you might be captured ... [Read More]