“Cinematographer CHARLIE SARROFF is [the] guest on the podcast today. Charlie shares some stories from the front lines of cinematographer as we discuss his move from Australia to Los Angeles, adjusting to new ... [Read More]

“For viewers who couldn’t see the real thing — and most especially for New Yorkers, some of whom work just a few blocks away from the Walter Kerr, but have ... [Read More]

“Central to the theme is Starr’s struggle and eventual resolution of these opposing versions of herself, and one of the first conversations director George Tillman Jr. had with  was about how ... [Read More]

CLIENT NOMINATIONS: Best Cinematography, WE THE ANIMALS Zak Mulligan PROJECT NOMINATIONS: FIRST REFORMED – Best Picture Alexander Dynan, DP Olga Mill, CD HEREDITARY – Best First Feature Olga Mill, CD ... [Read More]

Julie Kirkwood: I don’t like to pair the highest resolution with the most pristine, sharp lenses. I think we’re getting to a point where there’s almost too much sharpness and detail, ... [Read More]

“…the pilot episode of STRANGE ANGEL [lensed by ANDREW DROZ PALERMO] is directed by David Lowry, who is best known for his films AIN’T THEM BODIES SAINTS and A GHOST STORY [also in collaboration with Palermo].” ... [Read More]

See the full gallery of STRANGE ANGEL — lensed by ANDREW DROZ PALERMO — here.

“Armed with roughly an hour of celluloid, LARKIN SEIPLE and his crew shot This Is America over two days in an old Firestone factory in South Los Angeles in late ... [Read More]

See the full lineup and additional information here.

“The episode workload was split between DPs COLIN WATKINSON and ZOË WHITE, ACS, the latter of whom infused her own style to complement the visual language established in Season 1, which ... [Read More]