“Every department — including costumes, production design, VFX and stunts — was trying to be true to the comic, and they did such a beautiful job,” says cinematographer Nicole Hirsch ... [Read More]

[Cinematographer Patti Lee, ASC] also uses 2K Fresnels, but she incorporates smaller tungsten fixtures, such as Babies and Tweenies, as well. “We use [smaller lights] to hit more areas where ... [Read More]

“In chronicling Denise [Emmy-winner Lena Waithe] and Alicia (Naomi Ackie)’s relationship, their fertility struggle, and their ultimate separation,  [production designer Amy Williams] recreated New York in London, building the apartment ... [Read More]

…This is juxtaposed with a scene of Ted and Coach Beard walking into the team’s locker room for the first time. “The press room shows Ted up against it,” says ... [Read More]

The series was shot with two Arri Alexa Minis and an Alexa SXT Plus, “fitted with Arri/Zeiss Master Prime lenses. [Cinematographer Romain Lacourbas, ASC, AFC] notes that “the narrative style established ... [Read More]

BTL: What was the vision? Was the genesis the novel itself, or something else? [Production Designer Lester Cohen]: The novel is definitely set in the insular, privileged world of Upper East ... [Read More]

Awards Daily: I have a question around approaching a Marvel Cinematic Universe project. As a cinematographer, is there a visual language that you already can plug into? Or were you ... [Read More]

“As their marriage comes apart, so does the house’s interior, with key pieces representing each of the women gradually disappearing from the show’s long, static takes. “The challenge was like ... [Read More]

“It was really important to make everything feel really old and ancient,” says [production designer and co-producer Amy Williams]. To give the space a weathered, worn-in look, she asked the ... [Read More]

See the full line-up here.