“Director Michael Goi is a gifted cinematographer, and I appreciate how he toys with audience perceptions by relying on the deep focus technique” Read the full review here.

“Lodge 49 never loses sight of what makes its so special in the first place. That’s especially tricky given that it’s actually quite difficult to define what that is exactly. ... [Read More]

“To date it was possibly the most creative that I’ve been able to be with Linklater,” [production designer Bruce Curtis] said via phone from Austin, Texas. “Every designer, you wait ... [Read More]

“Upon seeing the designs for the set — a collaboration between Torres’s mother, Tita, and sister Marta — [production designer Michael Krantz] said it looked like “a set designed by ... [Read More]

“Primetime Emmy and ACE (American Cinema Editors) nominee, CATE HAIGHT, ACE, film and television editor, has been involved with some of the industry’s most memorable pieces of art. From Amazon ... [Read More]

“Bobin keeps the adventure brisk and surprisingly credible-looking, with bright but not overlit cinematography from Javier Aguirresarobe, ASC.” Read the full review here.

“…Cinematographer [Jonathan Sela] shoots the action sequences with a great vigor, lights all the various complexions perfectly and infuses a color that is as rich as can be.” Read the ... [Read More]

“Holdover HOBBS & SHAW [lensed by Jonathan Sela] will lead the North American box office this weekend at $25 million… [in fourth place is] Paramount’s launch of family adventure DORA ... [Read More]

“It’s a show that wants to have its cake and eat it too, presenting a quote-unquote real picture of Gen Z life, while also crafting a lavishly stylish visual landscape ... [Read More]

The stage was about 60 feet deep by 100 feet wide, and we had to set it up in three days. It was a monumental task for our crew,” production ... [Read More]